Re-Blog: How to Turn a Show in Front of 8 People Into Your Most Important Show Ever

Posted in Music Industry, Newbies with tags , , , , , , on October 12, 2009 by classicrocker415

I absolutely love Musformation – every single freaking post there is valuable & interesting. Now if only the site didn’t take 384 years to load….. :D

Anyway,

I showed this article to the rest of the members of my band a few days ago, and it totally inspired them. Minutes later, no joke, they actually came up with this insanely awesome idea to get more people out to our gigs (can’t share, top secret hehe).

This article really drives home some great points that I would like to summarize for all you busy people out there.

Play a killer set, regardless of audience size -

Give it 3,924,873,289%. You never, ever know who will be listening.

Also, if there are literally eight people there, make them A PART of the show. Dedicate a song to “that guy in the corner,” everyone will know who you’re pointing at since the place is nearly empty. Buy a round a drinks for them on the band…you get the picture.

Socialize with bands & fans -

This is something that my band and I took literally YEARS to realize. Just talk to people at the place! Bands, fans, bartenders, managers, etc…just talk. About anything. Make a new friend.

My band and I used play our set, pack up, thank the owners/booking agents and leave. I hate to admit that, but it was true. We we’re such boneheads in high school, it was ridiculous. We had this mentality that we were better than the rest and that our music would speak for itself.

If you read nothing else in this post, read this quote -

“If you don’t know it by now, being a dick doesn’t make you seem like a rock star, it makes you seem like a dick.” – Jesse Cannon, Musformation

_chris

Artists Need To Be Fairly Compensated in the New Music Industry

Posted in Music Industry with tags , , , , , , on October 6, 2009 by classicrocker415

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[img courtesy of f5m-millionaires-club]

While scanning through my RSS feeds on my phone this evening, I came across a good article over at audio4cast. This article then led me to another excellent article at the Future of Music Coalition’s website called “Principles for Artist Compensation in New Business Models.” They are both a few months old, but still drive home some interesting viewpoints that are relevant to my business idea I posted about last week and that I am currently developing (which got great feedback! thanks again to everyone that contributed).

Key points from audio4cast’s article:

“While record companies may be getting paid from all the new online music services, those payments are not necessarily making their way to the artists’ pockets.”

“…there’s a significant struggle brewing between record labels and artists, which has become aggravated by declining cd sales and new online music business models.”

Key points from FOMC.org’s article:

“Legitimate digital business models and legitimate digital music marketplaces are critical to musicians’ ability to promote, distribute and earn compensation for their music.”

“The history of the music industry is littered with stories of artists who have not been paid anything for the sales of their recordings. Typical major label contracts only give musicians 10 to 15 percent of the revenue from sales, and that’s after the label has recouped all the costs of recording, manufacturing and promotion. It’s no wonder that many musicians never see a penny in sales royalties.”

“This principle simply says that revenue generated by new models for music access or delivery should be fairly shared between rightsholders and artists — after all, they created the music that provides the value for these new business models.”

“…services should be able to experiment with variable pricing and offer different marketing opportunities depending on the level of the artist or based on the size of catalogue…”

Do you think we will ever see the day when the majority of mainstream musicians and performers own 100% of the rights & control to their music? I have considerable doubts, but something’s got to give. And in some ways, it has already started happening with the advent of companies like ReverbNation, TopSpin, InGrooves and many more aimed towards helping artists reach large audiences in cutting-edge and unorthodox ways.

I am definitely excited to see what the future has in store for the music industry.

_chris

Business Idea: The Reverse Record Label

Posted in Music Industry with tags , , , , , , , , , on September 30, 2009 by classicrocker415

I am currently writing a business plan for one of my classes (COMM493, not really sure why this is a communications class…) and this is the basic idea my roommate and I are developing:

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[img courtesy of Ariel Hyatt's Flickr account]

According to statistics provided by the New Music Seminar that I attended this past summer, there were only 5,945 artists able to sell over 1,000 copies of their albums in 2008. And only a mere 110 of these artists managed to sell over 250,000 albums (the majority of which are signed to major record labels). These numbers prove how rare and difficult it is these days for an artist to get their music heard by the masses, and how incredibly slim a band’s chances are of getting major label representation. The problem in this case works from the top to the bottom; the top being the corporate interests with the money and control and the bottom being the artists. Often is the case that the talent works for the talent agency – this situation should be reversed. Record labels shouldn’t have artists on their payroll; instead, the artists should have a slew of passionate, focused and talented people providing services for them based on their individual needs and desires.

Artists are becoming smarter and want to be more proactive about the business decisions surrounding their music. There are a wealth of artists out there recording great quality music for cheap in their basements, garages, bathrooms, friend’s houses, etc. Once this music is recorded, however, many of these ambitious young people don’t have a clue how to spread the word and start living their dream. Instead of sending their music to record labels in hopes of “getting signed,” artists can opt to have a team of motivated individuals work for them; all the while maintaining complete creative control over their music.

Empower

To reverse the tides and help empower artists, the business idea is an all-inclusive service team specifically geared towards unsigned and independent musicians and performers. Essentially, the business provides unsigned musicians with many of the services they’ll need in order to achieve their professional goals. These include consulting, marketing, booking, promotion, public relations, and much more.

The concept fundamentally functions as a record label “in reverse”. The business is working for the artist(s) and not the other way around. Traditionally, a label seeks out artists who can potentially sell a lot of music and solicit a large fan base. The traditional label will produce, promote, sell and distribute the artists’ music and give them a small percentage of the profit. In many cases, that percentage is less than 10%—which is a very small payout considering the effort put in by the artist to create that music. I mean, the music wouldn’t even exist if it weren’t for the artist in the first place.

The reverse record label’s primary revenue stream would come from the payment plans negotiated with each artist/band. The payments can be made upfront, in monthly/yearly installments, etc…whichever model seems to serve the relationship best. These prices would be flexible depending on the artists’ financial situations. In turn, the reverse record label provides the services (with some sort of a guarantee) and receives no further compensation. The artist collects 100% of the benefit from that point on. Most importantly, however, the artist maintains full control of the rights to their music regardless of the service(s) they seek—which is rarely the case at the typical “record label.”

[img courtesy of A.S.B.P.K.]

The reverse record label aims to serve the prevalent but struggling independent music culture. Unsigned and independent artists need organized, determined, and talented individuals to help them create and sustain long and successful careers. Any independent act can have the opportunity to receive consulting and development advice through the reverse record label at an affordable rate. The core focus of the business’ services is to increase overall exposure for its clients in their target markets, thereby providing them with future opportunities that will help to enhance and uphold their musical careers. By exposing clients to their target markets, this can also indirectly enhance the quality and diversity of local music everywhere, and help the previously unknown, but truly excellent talent rise to the top.

The reverse record label would compete alongside traditional artist public relations, marketing, management and consulting firms, as well as traditional record labels. However, what differentiates it from the rest of the pack is that it provides a customized combination of all these services, geared towards individual artists and bands, in one convenient and affordable package. These packages will be unique and tailored to each specific artist. The reverse record label would take the time to research an artist’s target market and develop a strategic plan based on the services the artist requests. And if an artist does not know what to request, the reverse record label can offer them the proper consult to guide them in the right direction and give them several options to consider. With this business, artists no longer have to spend countless hours of research to find a publicist or manager that would suit them best. They no longer have to send promotional CD’s—which cost big money and rarely make it much further than the office garbage can—to record labels in hopes of getting a dream record deal. The reverse record label’s services would provide its clients with the essential knowledge to achieve success in their independent music careers. And once again, it would not take any rights away from its clients, so the artist(s) will always be in control of their most important asset: their creativity.

This is just an idea I had a few months ago. But at this point, it is just that – an idea. I’m sure somebody has thought of the same thing/something similar at some point in time. At the end of the semester my roommate and I will have written a full-length official business plan surrounding this idea. I would love to hear any feedback/discussion arise about it. Thanks!

_chris

4 Ways to Book Your First Gig

Posted in Newbies with tags , , , on September 19, 2009 by classicrocker415

So you’ve written some music. Your friends dig it. But, that’s about it.

What now? Aren’t satisfied?

Get out there and play to some randoms!

There are dozens of ways to go about getting your first gig, and it can be an intimidating process at first. So you can delegate more time towards creating your music, I’d like to present some quick, basic methods for booking your first gig:

1) THE INTERNET – There are an insane amount of places you can go on the internet to find somebody willing to give your music a chance. Although it’s popularity is diminishing, I still believe that MySpace is an EXCELLENT starting place to locate venues and booking agents on the net. This is precisely how I booked the first gig for my band.

Of course, at the bare minimum, make sure you have your own MySpace page with a few of your songs available for listening. Once you’ve established that, do a MySpace search within 10-20 miles of your zip code and use keywords like “booking,” “entertainment,” and “agent.” There is bound to be at least a few search results that pop up. Check out their pages carefully and search for e-mail addresses, official website links or other type of contact information. If there is nothing, send them a MySpace message. In your message, briefly tell them why your contacting them and make sure to give them a way to listen to your music and a way to contact you directly. Tell them your extremely interested in working with them and willing to help them in some way. If you sound professional, chances are you will get a reply back.

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[Img Credit: ala.org]

2) THE VENUE – If you’re search results came up empty, don’t give up there! Burn some CD’s, walk around town and look for places (bars, clubs, coffee shops, VFW halls, churches, restaurants, houses) you think may be interested in booking your type of music. Go into the venue and say you would like to talk to whomever is in charge of booking the live music. Introduce yourself to him/her, hand them a CD and tell them you think you’re music will work well in their venue and you would like to play a show sometime. Usually they will direct you to their booking agent or give you their contact information. Follow up a few days later and see if they have any open slots in the near future. If they enjoyed your music they will usually give you a shot. And don’t feel bad if you end up opening for someone; be glad you got on stage in the first place! You have to start somewhere.

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[Img Credit: terragalleria.com]

3) THE COMPETITION – If you’ve found a few places that you’d like to play your first gig at but haven’t been hearing back from any venues or booking agents, get to know some of the bands already playing there. Find a band of similar musical style that you enjoy, and go out and support them! Go up to their merch table after the set and introduce yourself to them. Give them a CD and tell them you’re looking to play your first gig here. More than anyone else these guys will likely sympathize with your situation since they had to book their first gig at one time too. They can put in a good word for you and increase your chances of landing a show date. Befriend your competition.

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[Img Credit: hollywoodteenmovies.com]

4) JUST DO IT NIKE STYLE – If your genre of music can allow for it, just go someplace public and …play. Make some CD’s and hit up a mall, a beach, a street corner, a parking lot, a front porch, a subway, whatever. Somebody new is bound to hear you and who knows – maybe they’ll dig it.

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[Img Credit: republicupdate.com]

_chris

Hiatus

Posted in Randomness on July 2, 2009 by classicrocker415

sorry, but i’m going to have to take a month or so off from this blog. My band has ALOT going on right now (new EP, websites, graphics, merch, shows, etc) and I really need to focus on that for now.

Be back soon!

_chris

Recording A Demo CD

Posted in Music Industry, Newbies, Recording Techniques with tags , , , , , , , , , , , on May 27, 2009 by classicrocker415

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(Image from http://www.associatedcontent.com)

If you’ve ever been in a band, or attended any sort of event with local music, you have surely crossed paths with “demo cds.” Unsigned bands have been using these for decades, whether it be on vinyl, cassette or CD. They are an excellent promotional tool great to hand out to fans before, during and after shows.

Demos can be created in many different ways, but all too often bands are overwhelmed by the process and don’t even know where to get started. Here are some guidelines to head you in the right direction:

1) Pick the Recording Venue: Where are you going to set up shop? Do you have the cash to book studio time, or are you planning on recording from home? If home, try to find a room in the house that is relatively dead (low echo/reverberation). If you are a one man show (acoustic guitar/singer), recording from home would suffice. If you are a twelve man bassoon army, it may be worthwhile to save up some dough and hit up the studio.

2) Choose the Recording Method: This depends largely on your budget and your style of music. Hardcore punk band crunched for money? Record live. Pop music intending to be radio friendly? Multi-track that shite.

3) Choose Recording Equipment: If you book studio time, you should check out the studio prior to your recording session to see what kind of equipment you will be able to use. If you are looking to do a home job, there are several options both cheap and expensive:

- Super Cheap: Purchase a voice/mp3 digital recorder and stick it in the middle of the room. Results will probably be crappy, but if you have virtually no money to spend, it’s better than nothing!

- Cheap: Record one of your gigs. Talk to the sound guy and see if you can work out some deal to get a recording of your show. If possible, see if they can record straight from the mixer, that usually yields better results. Nice sound guys will do it for free :)

- Moderate: Rent/Purchase an 8 track recorder and some microphones. Recording equipment is pretty cheap nowadays, you can usually rent or purchase everything you need from your local music store. Ebay is a good resource as well for used gear. However, this could be difficult if you do not know how to set levels correctly or use EQ effectively. Do your homework before jumping into this option!

- Expensive: Buy a computer, audio interface (sound card), sequencing software (Pro Tools, Sonar, Cubase, etc) and some microphones and create your own budget home studio! Record into the sequencer, and either mix & master the tracks yourself or send them to a studio. This will run you at least a few grand, especially if you don’t have a sufficient computer for recording music. Check out Tweakheadz website for some excellent example home studios.

-Very Expensive: Book studio time. It’s expensive, but can yield great results for your demo. Just make sure you prepare thoroughly so you don’t have to book too much extra time to finish your project.

4) Mix & Master: Record labels and fans won’t expect your demos to sound perfect, so these steps are as critical as the actual tracking. If you can put together a rough mix by yourself, more power to you. If not, there are some studios that will offer mixing & mastering services for relatively low costs, just search around your town for them.

_chris

American Idol 2009 Finale Mishaps!

Posted in Music Industry, Randomness with tags , , , , , , , , , , on May 21, 2009 by classicrocker415

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bada-bada-bada-bada-bawwwwaaaa……..ooh-woo-ooh-woo-ooooohh…….(my rendition of the theme song hehe)

Okay so I was forced by my family to watch the American Idol Finale last night. There were some excellent performances, I’m not going to lie, but it really just isn’t my cup of tea. So, because of my relative disdain for pop music, I would like to highlight some of the funny/crazy/dangerous mishaps that occurred last night.

1) 2 hours before the show even started, stage manager Debbie Williams fell off some retractable unnecessary staircase and suffered a huge gash in her leg that required a trip to the emergency room and lots of stitches.

2) Also hours before, a large, random, most likely useless tower decided to fall and shatter into a million pieces all over the stage. CLEAN UP ON AISLE “SELL-OUT!”

3) The audience was not permitted inside the venue until 20 minutes before the show started, causing ushers to disregard tickets and have people just sit wherever the hell they pleased.

:-D This is gettin good.

4) During the show’s “Golden Idol Awards” the winner for Outstanding Female, Tatiano Nicole Del Toro, took the microphone from Ryan Seacrest and started singing and strutting all over the stage. TOTALLY UNPLANNED. I was laughing my face off. hahahaha. Security was trying to usher her off the stage and she would pull some sweet spin moves to dodge their attempts. Eventually they just cut to commercial mid-performance because they didn’t know what else to do. She is my hero of the week.

For those of you who didn’t watch, I suggest to keep your eye out for a vid to pop up on youtube showing this funny mishap with Tatiano Nicole Del Toro. Good stuff.

_chris

Vocal Session Preparation — Important!

Posted in Recording Techniques, Tips & Tricks on May 19, 2009 by classicrocker415

Lets face it — preparation for anything tends to be kind of a bitch. Practicing all the parts of the music to a metronome, setting up microphone stands, setting levels/compressors/effects, laying carpets and other ghetto ways to deaden ugly frequencies. All in hopes that it will make your music sound sexier.

Last summer, while recording my band a few demo tracks, I seriously underestimated how long it would take to prep for each recording session. It was the sole reason our demo project turned into a rush job, and our recordings definitely suffered because of it!

Vocals, in particular, were a super-robo-bitch. It figures I’d find an article giving advice on how to prepare effectively NOW, and not 6 months ago. Anyway, this little ditty makes some excellent points that I’d like to share!

Microphones

1. WRITE DOWN THE LYRICS!! There’s nothing worse than a singer showing up for a session thinking he knows all the words and starts brain farting all over what could have been some great takes.

2. Set up the microphone prior to the session. The microphone should be positioned accordingly and the preamp levels should be set to some sort of baseline level so only minor adjustments need to be made once the sesh starts.

3. Patch reverb into the monitoring chain. Not necessary but it helps the singer and you get an idea of how the track will sound in the final mix

4. Digital sessions are organized and ready for playback. In the actual project file in whatever sequencer you are using (ProTools, Sonar, Cubase, etc), make sure to create several empty tracks in advance so time isn’t wasted moving things around during the session. Also, make sure you are able to playback the entire mix when needed – freeze some tracks if necessary!

5. IMPORTANT – MAKE SURE THE VOCALIST IS COMFORTABLE. Keep extra people, friends, enemies away from the session. The last thing a vocalist will want to hear is people cracking jokes about the session. Make refreshments available too! (water, wine, lemon juice, whatever their preference).

6. Don’t make them practice too long beforehand. Vocalists tend to give their best performances during the 1st hour of recording. Don’t waste it with a bunch of do-re-me’s.

7. NO Negative Feedback! Don’t tell a vocalist that a take was bad, or flat, or sharp, or poopydoodies. He/she will most likely start to hate you. Keep everything positive, compliment them when you hear something you like and ask them what THEY thought of the take if you thought something was off. Usually they will admit it.

8. Is the material ready? Are the melodies tight, rehearsed and polished accordingly? Is the singer satisfied with the arrangement of the lyrics? These questions must be addressed pre-session. I know from experience with my band because we skipped this vital step and ending up having to tailor some things here and there. This took lots of time, and our recordings suffered.

“Success always comes when preparation meets opportunity” -Henry Hartman

_chris

Top 10 Ways to Destroy Earth!

Posted in Randomness with tags , , , , , , , on May 10, 2009 by classicrocker415

For some reason I recently felt the need to know how to destroy our planet. I mean hey, you can find out just about anything on the internet, why not look for something crazy every once and a while?

BOOM!

It took me about 5 minutes to find the top 10 ways to destroy our lovely home. Turns out it is a lot harder to do than originally thought!

One of the methods is to simply have no method. Just wait around, and hope that all 200,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000 atoms in our planet spontaneously cease to exist. What?! Yeah, its possible; the chances are greater than a googolplex to one. Your chances of winning the lottery and getting struck by lightning within the same hour are exponentially better.

My favorite one by far requires only a light bulb. Yes, theoretically you can destroy our planet with a stupid light bulb. This theory claims that the vacuum within a light bulb contains enough energy to boil every ocean in the world! The only reason nobody has tried this yet is because no one has figured out how to harness this energy. Once you figure that out, stick this energy into a power plant and let the reaction run out control. KABOOM! Goodbye, Earth.

Here are some other methods from the article in case your interested:
http://www.livescience.com/technology/destroy_earth_mp-1.html

Disclaimer: yeah…don’t try any of these at home. :)

_chris

PSU’s Music Scene is Getting Molested.

Posted in Penn State Stuff with tags , , , , , , , , , on May 1, 2009 by classicrocker415

The State College music scene is taking another hit. A huge hit. And I thought Asher Roth was bad (he performed last night at Wallypalooza for ONLY 40 MINUTES….some headliner, huh).

Nittany Booking, one of, if not the best music promoters in State College, may cease to exist after this semester. Why, you ask? Garrett Bogden, founder, is graduating. FUCK!!

They have come a long way since 2006, booking several national acts and excellent local talent at venues throughout downtown State College. They put on some great shows here, it really sucks to see them go. Garrett said that Nittany Booking is “basically over,” it really sucks that he didn’t groom a replacement or wants to keep the company alive in some way. If I had more than a year left here at PSU I’d consider taking the reins!

Anyway, here’s some details from an article in The Collegian: Clickity Click

I’d rant some more, but there is no time! Damn finals week.

_chris